| Books
Art
and Illusion: A Study In the Psychology of Pictorial Representation,
E.H. Gombrich, Pantheon Books, N.Y. 1961
Art
as Evolution of Visual Knowledge
by Charles Biederman, Bureau of Engraving, Minnesota, 1948
Behind Appearances; A Study of the Relations
between Painting and the Natural Sciences, C.H. Waddington,
The MIT Press, Massachusetts, 1969
City of Bits: Space, Place and the Infobahn,
William J. Mitchell, MIT Press, 1995
Digital Mosaics, The Aesthetics of Cyberspace,
Steven Holtzman, Simon and Schuster, N.Y., 1997
Escher
on Escher, Exploring the Infinite, M.C.Escher,Harry N. Abrams,
Publishers, New York,1986
Fibonacci and Lucas Numbers, and the Golden Section:
Theory and Application,S. Vajda, E. Horwood Ltd.; New York:
Halsted Press, 1989
Naum
Gabo, Antoine Pevsner, by Herbert Read, Ruth Olsen, Abraham
Chanin,The Museum of Modern Art, New York,1948
Josef
Albers, A Retrospective, by Nicholas Fox Weber et al, The Solomon
R. Guggenheim Foundation, New York, 1988
Juan
Gris by James Thrall Soby, The Museum of Modern Art, New York,
1958
Le Corbusier: The Machine and the Grand Design,
G. Braziller,New York, 1970
Le
Corbusier; Works in Progress,Willy Boesiger, Ingoprint S.A.,
Barcelona Spain, 1972
Learning from Las Vegas,Robert Venturi,
Denise Scott Brown, Steven Izenour, The MIT Press, Massachusetts, 1977
Leonardo
Da Vinci on Painting, A Lost Book (Libro
A), by Carlo Pedretti, University of California Press, Los Angeles,
1964
Leonardo, Painter, Inventor, Visionary, Mathematician,
Philosopher, Engineer, Jean-Claude Frère, Paris,Terrail, 1995.
Life on the screen : identity in the age of the
Internet, Sherry Turkle. Simon & Schuster, New York,1995.
Ludwig
Mies Van der Rohe; Works in Progress, Werner Blaser, Ingoprint
S.A., Barcelona Spain, 1972
Sacred Geometry; Philosophy and Practice,
Robert Lawlor, The Crossroad Publishing Co., N.Y. 1982
The Book of Squares, Leonardo Pisano
Fibonacci ; an annotated translation into modern English by L.E. Sigler,
Academic Press, Boston,1987
The
Cyberspace Lexicon, Bob Cotton and Richard Oliver, Phaidon
Press. London,1994
The Dictionary of Art, editor, Jane
Turner, Grove's Dictionaries, New York, 1996-
The Divine Proportion, A Study of Mathematical
Beauty, Huntley, H.E., New York, Dover Publications, 1970
The Fractal Geometry of Nature by
Benoit B, Mandelbrot, W.H. Freeman and Company, N.Y. 1977
The Unknown Leonardo,
edited by Ladislao Reti; designed by Emil M. Bührer, Abradale Press, New
York, 1990.
The Writings of Robert Smithson: essays with
illustrations, edited by Nancy Holt; introd. by Philip Leider
New York : New York University Press, 1979.
Vasarely,
by Werner Spies, Harry N. Abrams, Inc., New York, 1969
Articles
Between
Geometry and Gesture: Combining Electronic Media with Traditional Artistic
Methods, Guzak, Karen, Leonardo, v.30 no.1,1997 p.19-22
Dynamical Symmetries, Nigel Reading, Architectural Digest v.64,
Nov/Dec.1994 p.xii-xv
Geometric interpretation of the Albertian model, Leonardo,
v.31 no2 1998 p.119-23
Physiological Beauty, Bryan Avery, The Architectural Review,
v.194, Apr 1994 p.75-7
The Golden Mean, Jules Olitski, Arts Magazine v.58, May 1984
pg130-3
World Wide Web
http://www.anselm.edu/homepage/dbanach/pyth4.htm
http://home1.gte.net/aotourou/goldpage.htm
http://www.floweroflife/.org/spiral01.htm
http://tony.ai/KW/golden.html
http://www.mcm.edu/academic/galileo/ars/arshtml/arch5.html |
